Sunday, June 28, 2009

Houston Pride Parade & intermittent dance party

I really had no excuse not to attend the parade since A) it happens at night when I'm awake anyway and B) the parade route is one block away from my apartment. Plus at least once a year I like to see my peoples all glittery and stuff. Unfortunately there was what I consider to be a serious dearth of glitter/feather/hi NRG silliness. Too many staid oil company employees and church groups, not enough gyrating. Also, I didn't check my camera batteries before I walked out the door and so no pictures.

The highlights for me were:

- PFLAG, cause parents in their 50s, 60s, and 70s marching in support their gay kids is a beautiful sight to see

- Lesbians Over Age Fifty, or LOAFers mostly because of the awesome elderly lady waving out the window of the car. I know it's wrong to infantalize old folks, but she was adorable and inspiring.

- The Asians & Friends group who all held giant Hello Kitty head placards. Kawaii indeed.

Afterwards, I met up with some Austin friends for an intermittent dance party. No one had the energy to stay out on the floor the whole time, so intermittent it was. Yay for poorly conceived "sexy" photos, putting a certain inebriated lady to bed, and fantasizing about band reunions (Smiths, Jawbreaker, Archers of Loaf, Afghan Whigs).

Thursday, June 25, 2009

6 Months, 60 Minutes, 16 Songs

So I made a compilation of songs I've been particularly fond of the last six months and wanted to share it. Enjoy, hate, or be suffused with dispassion.

UPDATE: If you register with imeem, you can full versions of almost all the songs. It's a nifty site.

[ed. note: The actual El Goodo track I wanted, "Aren't You Grand" wasn't available on imeem so I swapped in another good (but not as good) track. I wasn't able to find any tracks from Handsome Family's new, great album Honey Moon on imeem, which is why the playlist only has fifteen tracks. So after the Matt & Kim song, pause and go here to listen to a short clip of "The Loneliness of Magnets" and just imagine that old-timey sound continuing, then go back and resume this playlist. Or you could just skip this whole suggestion and destroy the integrity of this carefully curated flow.



6 Months, 60 Minutes, 16 Songs

Friday, June 19, 2009

Who's up for Six Flags?

Friends,

I will be going to Six Flags in Arlington on Sunday 8/23 if you'd like to join me. It's the last day before the local school systems start up and the park is practically empty. As others who've joined me in the past can attest, it's glorious. No lines and on many of the rides, the employees will let you ride multiple times in a row. The park's open from 11 - 7, but I usually leave around 5 because I've ridden everything multiple times by then.

Spread the word and let me know so I can start planning carpools, etc.

Oh, and Joolie gets a free ticket from me because years ago it was my fault that she was denied rollercoasters and had to settle for the Stockyards.

Thursday, June 18, 2009

HawthoRNe review

This summary is not available. Please click here to view the post.

Wednesday, June 17, 2009

A trip to see Grizzly Bear

After their fantastic performance during SXSW, I couldn't miss seeing Grizzly Bear again when they came to Austin on Tuesday night. Thirty minutes outside Austin, I realized that I'd left my wallet in Houston. Slightly troubling as I had no cash, ATM card, credit card, or ID to get into the show. Counting on the good graces of my credit union, the venue staff, and my own earned music karma, I wasn't overly concerned. First, I went to my beloved credit union, who helpfully explained that they could give me $100 after asking some security questions. So pleasant.

Then I called Joolie to set up dinner plans and then was off to trade in some CDs. Waterloo Records was staunch in their no-Texas-ID-no-trading-in-IDs policy, so I headed to End of an Ear which was second on my list only due to geography. Having no ID policy and by virtue of the owners knowing me, I traded in some unwanted music for the new Vaselines compilation (Remastered! Live versions! Naïve, superfun pop!), Baby Loves a Funny Bunny by Fuck (in a wonderfully designed matchbook package), and classic album that will end up as a gift for a friend and therefore will not be mentioned by name here. And I still have an $ 0.80 credit! While at the store, I happened into an in-store for Here We Are Magic, who were opening for Grizzly Bear that night. I liked them well enough.

A call to a Walgreen's in Houston confirmed that I hadn't left my wallet on their counter which meant it was probably sitting in my apartment. "No worries! Everything will work out fine!" he fervently said out loud to no one.

Arrived at House Pizzeria to find a pleasantly designed restaurant with a nicely stocked jukebox. The music's a mix of classic country and whatever we're calling Elvis Costello-Wire-Lou Reed-The Pixies-etc. and I passed the time waiting for Joolie and Mr. Joolie thinking of a setlist that would drive out the abrasively loud and demanding children over there in the corner, not the sweet little thing that eventually sat next to us. Between us we ordered Potato & Goat Cheese, Pepperoni, and Olives & Capers pizzas. Another friend and boyfriend showed up to my delight, and we gorged on yummy pizza while chatting amiably.

I realize now that when Joolie asked me about work and I shrugged it off with a "same old thing, nothing interesting" that I was being a bit too dismissive. Of course interesting stuff happens at work, I guess I just wanted to talk about something else. Sorry Joolie! I'll work on some stories for you.

From there I was off to a quick hello to my poker buddies who had just started the regular Tuesday game (it's been so long since I played, sigh) before heading down to The Parish for the show. I barely started my woeful shpiel about the forgotten ID, when the list guy said, "Yeah he's here," and the ID guy looked at me for about 10 seconds before slapping the drink band on my wrist. It's good not to look anywhere close to 21 sometimes. Oftentimes.

I have excellent music karma which has aided me in the past and will likely continue to do so (does citing music karma cause one to lose some?). I recall one extreme example at my only time seeing New Order. My friends and I had lawn seats at whatever their calling Starplex in Dallas these days, but having laid in a surfeit of good relations with the security staff, we were able to slip up to the front section for the openers (808 State, Stereo MCs) and then neglected to leave. When New Order hit the stage, we had managed to worm our way up to 3rd row from which seats we were never kicked (silly non-showing up ticket holders). After a pretty good show, which ended slightly early in that Bernard Sumner stalked off stage before the (according to the setlist we snatched from the stage) final song of the encore "Blue Monday" (my heart breaks), we were too hopped up to just leave. So I and one friend ran around the back of the venue, crawled under a gate, and insinuated ourselves with a group of lucky people escorted backstage to meet the band.

This was back in the days when I'd pursue autographs, so we got Gillian and had joined the throng around Bernard when my friend was discovered not sporting the required sticker and was rudely propelled out the gate. I had thought to drape a shirt over the spot where the sticker should have been and so went undiscovered. Sure Bernard sometimes is a jerk to his bandmates, but kudus to him for standing there for 30 minutes politely asking each fan their name so he could personalize the autographs. Nice guy.

Blah, blah, blah. The Grizzly Bear show was very good. I'd write a review, but just read this as I completely agree.

From there I dropped by some night owl friends' place to chat for a bit that turned into a couple hours, before heading over to the Joolie and Mr. Joolie house for some leftover pizza and a much needed nap. I crept out again at 6 AM to hit the road back to Houston where I found my wallet right next to my computer.

So happy ending all around.

Thursday, May 07, 2009

RIP Leigh Boone

A couple weeks ago I was walking home deep into the early morning hours when I was brought up short by this memorial.



The bicyclist who was injured in the multi-firetruck crash I wrote about here died twelve days later.

I find specific, handmade public memorials like this beautiful and moving. Though they are often not as cleanly designed as the Oklahoma City National Memorial or the Vietnam Veterans Memorial for example, they are as conceptually loaded and resonant. Austinites, think of the tribute to Ivan on the Lamar at 5th St underpass. Have you ever wondered who Ivan was? Or who renewed his memorial from time to time?

No surprise that there's a book that speaks to this phenomenon.

UPDATE:

My friend Patricia clued me in to the Ghost Bikes phenomenon. Boone's memorial is included on the website.

Wednesday, May 06, 2009

National Nurses Day

Today is National Nurses Day, though the party doesn't stop here. National Nurses Week continues through May 12th, Florence Nightingale's birthday. To all my fellow nurses, we are teh awesome, the bee's knees, the cat's pajamas, the snake's hips, the caregivers par excellence, the sine qua non and other such terms of wonderfulness. Woooo!

A couple years ago at the last National Student Nursing Association convention I attended, the keynote speaker whipped up our professional egos by insisting that we think of ourselves as "a treasure". Being the kind of smartypants we were, my group started exploiting this immediately. For the rest of the day it was, "Fetch me a drink, I'm a treasure!" and "I don't see why I have to finish this 30 page care plan, after all, I'm a treasure." So, this is me, thinking I'm all treasury at least for the next few days.

Wednesday, April 15, 2009

Black Crystal Goatwolfdeerbear

This list of goat-monikered metal bands recalled an impromptu contest we had in the SXSW badge print room this year. The question was, "How many bands playing this year have 'black' as the first word in their name? As long as 'black' is first everything counts, i.e. Blackie." I guessed 12, the winner guessed 15, it was actually 18. Dang.

Then I remembered one of the games at a Saucony-sponsored day party. It was Pin the Crystal on the Overused-in-Band-Names Animal. Blindfolded (w/ Saucony shirts) contestants attempted to place a crystal magnet in the target area of a wolf, deer, or bear. Who knew the Saucony people were capable of such wit?

Tuesday, April 14, 2009

Birthdays and Morrissey

After finishing up my Advanced Cardiac Life Support class on Saturday, I hopped a bus to Austin for Mybloodyself's birthday party. It had all the classic elements: good people, food, alcohol, dancing. This year brought the added element of shirtlessness whilst dancing. There is photographic evidence somewhere out there.

Sunday was laid back for the most part. Dinner at Titaya, so that we wouldn't become hungry on our subsequent emotional journey, then off to see Morrissey at Bass Concert Hall. Of the times I've seen him, this was the most aggressive and rocking. Didn't tear up for "How Soon is Now?" like the first time, but it was certainly affecting. Would have liked more early solo work, but I'm not going to argue. Thanks to Mybloody for getting tickets and this setlist.

1. This Charming Man (Smiths)
2. Billy Budd (Vauxhall)
3. Black Cloud (Years of Refusal)
4. How Soon is Now? (Smiths)
5. Irish Blood, English Heart (Quarry)
6. When I Last Spoke to Carol (Years of Refusal)
7. How Can Anybody Possibly Know How I Feel? (Quarry)
8. I'm Throwing My Arms Around Paris (Years of Refusal)
9. Some Girls Are Bigger Than Others (Smiths)
10. Something is Squeezing My Skull (Years of Refusal)
11. Seasick, Yet Still Docked (Your Arsenal)
12. The Loop (World of Morrissey)
13. The World is Full of Crashing Bores (Quarry)
14. Death of a Disco Dancer (Smiths)
15. One Day Goodbye Will Be Farewell (Years of Refusal)
16. I Keep Mine Hidden (Smiths, a B-side to a single)
17. Sorry Doesn't Help (Years of Refusal)
18. Ask (Smiths)
19. Let Me Kiss You (Quarry)
20. I'm OK By Myself (Years of Refusal)

21. First of the Gang to Die (Quarry) -> Swingin' on a Star (cover)

Monday I was back on the bus to Houston. The flip over from being awake during the day to at night occupied Monday night (there is a process) and now I'm off to work. Oh and Happy 15th anniversary Turner Classic Movies, you are a great TV channel.

Wednesday, April 08, 2009

No car, no problem + tuberculosis!

I chose not to replace my broken-down car when I moved to Houston for my job. I'd already picked my neighborhood for it's walkability and proximity to public transportation. Aside from trips back to Austin, a car was superfluous. That decision is now numerically quantifiable via this website. I score an 83/100. Ignoring the rampant advertising on the site that might skew the results, how 'bout you?

Also, via that site's Google map of my area, I saw something that I'm shocked I hadn't noticed before. I live fairly close to Houston's old City Tubercular Hospital. Online searches reveal no details. This bears closer examination.

Tuesday, April 07, 2009

This night, that night

Another dichotomous pair of nights a little while back. The first was the easiest night at work I've ever experienced. Came in at 6:30 PM to find out we were overstaffed and it was my turn to float to another ICU along with a few others. The ICU supervisor changed her mind at the last minute and kept me on my home unit, but by that time everyone was assigned and so I had no patients. I'm decidedly not a "whoo-hoo, extra break time!" kind of person, so I helped out all over the unit with transfers out, completing paperwork, and helping bathe patients.

When it was close to 11 PM, we were still overstaffed, in part due to the transfers with which I helped, so I floated to a medical ICU upstairs. Though we're all ICUs, the ones upstairs from my cardiovascular surgical recovery unit are arranged differently both physically and in terms of workflow. They use some computer charting that we don't, supplies are stored in different places, medications available on the unit are slightly different, etc. Thankfully, the med ICU staff observed both common sense and policy in giving me a fairly simple pair of patients. When floating to such a different environment, this is the way it's supposed to happen. Just as we would never assign a fresh surgical patient to a float to our unit, they're not supposed to assign us just-admitted patients or unstable ones because we aren't familiar with the lay of the land.

Both my assigned patients were doing fine. One was due for transfer out of the ICU to a regular acute care floor, there just weren't any beds available. His big issue was very high blood pressure, we're talking 200/120 (normal is less than 120/80), which kept surprising me for the first few hours. Though his status only warranted charting blood pressure every four hours, out of ICU habit I still recorded it hourly. When I'd peak in to read his BP off the monitor, seeing 190/100 or somesuch kept making my brain go, "Too high, ack! Must take action! Assess patient, medication, notify doctor!" In reality, he'd been living with blood pressure this high for awhile and rapidly bringing it down would put him at risk for a stroke. The plan of care was slow reductions through careful increases in his medications. As the night progressed and he slept soundly, the pressure came down nicely.

The other patient was a lovely lady who's heart arrythmia caused fainting spells (syncopal episodes) at home. With medications administered at the hospital, that arrythmia was now under control and she would probably be transferred to the floor the next day or even discharged home. We had a few nice conversations and I reinforced some of her health teaching. It was such a slow night that I finished all of my online education modules that aren't due till October and tried, mostly in vain, to help out the other nurses on the unit. A couple of them joked (semi-seriously) that I was so willingly helpful that I should transfer to their unit permanently. A nice compliment, but also a necessary trait on my home unit. Easy, easy night.

Just a couple nights later I was back "home" working with another nurse in caring for an unstable patient. Blood pressure propped up with several continuous IV medications, multiple blood products needed, an air leak in one lung causing massive accumulation of air under the skin, no neurological response to painful stimuli hours after surgery - very sick patient. The air leak was the most immediate striking. Because his lung wasn't completely sealed like in a normal person, every "breath" delivered by the ventilator caused some air to leak into the body cavity resulting in subcutaneous emphysema. Chest tubes inserted in his chest were helping drain fluid and air, but couldn't keep up. So air accumulated in the chest, then made it's way down the arms and up the neck to his face.

When there's a little accumulation, you can feel and hear air bubbles popping under the skin. It's called crepitus and it feels (and sometimes sounds like) Rice Krispies. In this patient, the accumulation was so great that his skin bulged out and sounded resonant like a drum when percussed. Warning to the especially squeamish, there's no blood but maybe you don't want to see this (not our patients BTW). His chest x-ray was incredible. Because of all that air, you could see the striation pattern in the pectoral muscles, something that won't turn out on a normal x-ray.

He didn't look good, but subcutaneous air isn't especially dangerous in and of itself. More important was the blood pressure and the fact that he wasn't waking up. We had orders to paralyze him with medications, but we never started them because he wasn't moving around at all, even to painful stimulation.

As I explained here, when we're working as a two-nurse-to-one-patient team, one person does the charting and directs the team, the other person performs the physical work. I took the physical role this time. It worked out well, because she needed to sit down for most of the night and my brain wasn't running 100% due to poor sleep the day before. I'm pretty well-known for being let's say energetic at work. This night, around 4 AM, I walked past our charge nurse and she pulled a double-take. "I've never seen you look so worn out. What's that patient doing to you?" she half-joked. It was true, except for a 30 minute lunch, I didn't sit down the entire night.

At one point, the patient's heart converted to an arhythmic condition which impacted his blood pressure. We gave an arythmia medication to try to break him out, but it didn't work. We moved on to synchronized cardioversion where we attempt to shock the heart back into a regular rhythm, but that too failed. Still, we kept the blood pressure up, the pulses intact, and the oxygenation status good. In the morning, the attending physician - a notoriously critical doc - actually told me and my partner nurse, "Good job." Could have knocked us over with a feather.

That's how it goes at work. Sometimes you have an easy night and sometimes you get beaten up.

Thursday, April 02, 2009

Grad school for free?

A bill has been introduced in the U.S. House that would essentially pay back student loans for grad students who commit to becoming faculty at nursing schools. Since that's the whole reason I want to go grad school, I fully endorse this effort.

Time to contact my Representative and Senators.

UPDATE: Just read a Washington Post story much like others I've been seeing lately about how the nationwide nursing shortage is being relieved in some areas due to nurses returning to the profession or upping their hours to full-time. This surge is being explained by nursing being a steady, good-paying job in a terrible economic climate. I know a few nurses who went back to full-time because their spouses lost their jobs or took pay cuts.

The WaPo article goes on to note however that this trend will not be able to keep up with demand in the near future. When the economy recovers a bit, lots of nurses will go back to part-time or less, and those who put off retirement will leave for good. Relevant to my original post, the article notes that too many potential nurses are being turned away from nursing schools due to lack of faculty and mentions the bill reimbursing nursing faculty for grad school costs.

Tuesday, March 31, 2009

Emergency close to home

I was sitting in my apartment this morning when I heard a huge boom and the power went out. I went outside and in the direction of the boom to find a massive accident a few blocks away. Two firetrucks had collided with one ending up on its side. I walked up to see if I could help but upon noting fire crews, EMTs, and police swarming all over the place, I left. I hate Looky Lous.

The whole story is here. Really sad/frustrated for that bicyclist.

Note to self: Put together a first aid kit with gloves, mouth-to-mouth guard, etc. Just in case

Sunday, March 22, 2009

SXSW Music 2009: Day Four

Friday I went to the Flatstock poster show (yay for me, I kept to my pledge to buy only one poster) and had to navigate through a massive line waiting to see Third Eye Blind. My right brain cried a little at the sight. On to Saturday!

Echo & the Bunnymen
Not as exciting as seeing them a few years ago when they were mounting their comeback, and a rather perfunctory performance. The sound was good though and they played "Villiers Terrace" so I was happy.

Telekinesis
Fond of the song "Coast of Carolina", on Merge Records, and the frontman is a drummer/singer (always impressive to me), so I went. Disappointingly generic at this point, though there is hope for more interesting work in the future.

A bit worn out musically, I decided to sit down in Esther's Follies for some comedy.

Natasha Leggero
MC for part of the night and so her jokes were scattered between the other sets. I admire her moxie. Would like to see a full set sometime.

Martha Kelly
Yay. Kelly started in Austin and I love her guileless delivery.

Eugene Mirman
"There are three kinds of bands playing this week. Bands I like, bands that are just not for me, and bands who are angry at quiet." Hee. The tossed-off SXSW jokes were clever and the slightly older material (much of which I saw at All Tomorrow's Parties) still worked well. The set-ending "duet" with John Wesley Harding fell flat, but still a good set.

Hannibal Buress
Never heard of this guy, but he destroyed. Love seeing someone without expectations (well, always low expectations with unknown comics) that just kills. Must to look into further.

Todd Barry
Barry's stage persona isn't capable of delivering a rousing set, but still did well. I laughed so there you go.

Janeane Garofalo
Admittedly "wackadoodle" on Lyrica and "Vicadoodles", she was sloppy and hilarious. I hope she taped this set because the tangents were brilliant. I doubt it can be recreated, but if she can approach the free-ranging, giddy charm she exhibited here she's due for fantastic HBO special.

Other, terrible comics will go unmentioned.

Handsome Family
15 years ago at SXSW I was the stage manager for the venue they played at before their first album came out. Fell in love then and never stopped. So good. Pretty big, enthusiastic audience too.

Six Finger Satellite
They're back, one of my favorite bands of the mid-90s, though really it's only J. Ryan (singer/keyboards) and Rick Pelletier (guitar). I wasn't hoping for much as their last album and tour were quite bad. Not much has changed and it's clear that John MacLean (now peforming as The Juan MacLean) was the standout talent in the band.

So SXSW music ended with a fizzle. That's OK. It was an above average year.

Oh yeah, and I got to see a another movie.

Humpday
I've wanted to see this since hearing the buzz out of Sundance and it didn't disappoint. Free-spirited Andrew comes to town to visit his old friend Ben and shake things up a little. Ben's chafing under his now-staid life while Andrew needs to find justification for calling himself an artist. The gist is familiar (Old Joy), but the execution is fresh. Out late and quite drunk/stoned, the friends concoct a plan to prove to themselves that they're not boring, namely make an amateur porno featuring them having sex with each other. It sounds preposterous, but the naturalistic performances sell it from start to finish. The really wonderful thing is that Humpday is funny, engaging, sweet comedy who's laughs arise from spot-on characterization rather than gags. Magnolia Pictures has picked it up so it will be see a probably limited, art house release. Highly recommended.

The Q&A afterwards with cinematographer Benjamin Kasulke and co-star Joshua Leonard was illuminating. The film was shot in sequence and improvised. Director Lynn Shelton wrote scene outlines, but left the particulars to the actors. This great method is largely responsible for the naturalism and believeable motivation on display here. Kasulke and Leonard were especially excited that the audience "got" the tone, humor, and tension of the film. Apparently at Sundance it was received as a much broader comedy. Loved it.

Saturday, March 21, 2009

SXSW Music 2009: Day Three

The Thermals
Energetic, fun. If I was young and relatively new to the whole seeing bands live thing, I'd be crazy excited.

Little Boots
Does one song barely listened to count as having "seen" a band? Yeah probably not.

American Analog Set
Yay! Reunited to play The Golden Band from start to finish, the hot sunny environment wasn't ideal for Amanset (nor were the dubious acoustics of Club DeVille) yet the material, performance, and my own engagement carried the day. Lovely.

Pains of Being Pure At Heart
I hate the rigamarole for Fader/Levi wristbands and so just don't bother. No problem as a security guy saw me mouthing the words to "Come Saturday" and practically forced me inside. Another band I probably would have flipped for years ago. Enjoyable.

Phosphorescent
Wanted to see this show based solely on the idea of their Willie Nelson tribute album. Have to agree with friends who saw them the day before, technically proficient but lacking in spark.

Alash
Tuvan throat-singing otherwise known as xoomei!! Though I'm a huge fan of Tuvan music, I haven't kept up with the current state of it and thus hadn't heard of these guys. Turns out they're all national champions of various styles or instruments and they absolutely killed. The cognoscenti in the audience loved it and the uninitiated freaked over the sound. If you're not familiar with the style, check them out. Some day I will go to Tuva.

Camera Obscura
Inert. They didn't seem like they were having any fun at all which was in sharp contrast to the ebullience of the terribly monikered Dananananaykroyd who played right before. Just saw the last couple minutes of Dan, etc. but the singer closed their set with this plea, "I don't want to leave!" It was cute. Anyway, Camera Obscura couldn't muster much enthusiasm so I moved on.

The Rosebuds
Never much cared for this band aside from the great song "Leaves Do Fall," but figured I should give them another chance. Conclusion: Just don't do it for me. After "Leaves" and a quick "much respect to you" to Mac McCaughan, I took off. That's the nice thing about SXSW, there's always another option.

Eating. Got to keep the energy level up. Caffeine helps too.

Tricky
Man I loved (still do) his first three albums, everything since not at all. Only saw the last half of the set, but dude if you've only got 45 minutes to re-introduce yourself to everybody don't waste time doing extended versions of old songs that far outstay their welcome. Plus, Devo is up next so I can't get into you at all.

Devo
So very very good. If this was the first time I'd seen them, I think I would have had a hypertrophic spazzmodic episode (Ed note: Not a real medical phenomenon). As it was the 3rd time in four years, I pretty much knew what we were going to get and still swooned. Wheee! The one drawback of the show was that I only had demonstrative fans on one side of me, the kind that jumped up and down, sang along to the call-and-response bits appropriately, etc. Otherwise, it was stand-very-still-and-applaud-sedately. Oh to be up front with the be-flowerpotted.

Setlist:
Don't Shoot, I'm a Man (new song)
Peekaboo
new song
Going Under
new song
Girl You Want
Whip It
Secret Agent Man
Satisfaction
Uncontrollable Urge
Mongoloid
Smart Patrol/Mr. DNA
Gates of Steel
Devo Corporate Anthem
-----
Freedom of Choice
Jocko Homo
Gut Feeling/Slap Yer Mammy
Beautiful World (sung by Booji Boy)

Friday, March 20, 2009

SXSW Music 2009: Day Two

Peter Murphy
Due to the colossal line out front of Elysium, I didn't even bother. Who knew aging punks had so much goth in their soul? As the mohawked, crow's feeted punks waited, next door Beerland was practically empty ahead of the Circle Jerks performance (Keith Morris was sitting out front reading quietly).

Grizzly Bear
Every year I look for the peak experience of SXSW without trying to force it. This year it came early on. After waiting in line for a long time, I almost left so I could see something in this time slot. Finally managed to grab a seat upstairs in the balcony just as they started. The view wasn't good, but oh the sound was. Already tired, I leaned my head back and just drifted to the gorgeous sounds of Ed Droste's voice drenched in church reverb. Man that new album is going to be great. After 15 years of SXSWs and much talk amongst friends of how jaded we can be, seeing a set like that from Grizzly Bear tanks up my faith in the eternal wonderment of great music.

After that set, I hardly cared about the rest of the night so floating on musical bliss was I.

These Are Powers
Waaaay too long to set up for this tepid, murky cacaphony.

Akron/Family
The hippie vibe was too great for me to fully engage with this.

Wavves
Written up all over the internets and playing a ton of shows during SXSW, this kid's got good PR and poor performing skills. At future shows, he spouted the same line I heard here, "We're playing like 950 shows so this is goin' be short." Quality over quantity dude. Stay home and rehearse.

Busdriver
Reliably blistering. He should be huge. Tiny audience, hopefully he had a much bigger one for his Mess With Texas show.

Beach House
Hey guys, which is more annoying, the "monotonous" lighting or your incessant complaining about it? Also, you're better on record.

Dinosaur Jr.
Very much like the show I saw them play at All Tomorrow's Parties last Fall. Just stayed for "The Wagon" and then headed out.

Thursday, March 19, 2009

SXSW Music 2009: Day One

Ulrich Schnauss
Just laptop mixing, even "Stars" (and how I love that song) was a letdown

Gallows
Shut up and play boys. Quit critiquing the audience. Oh, you're (hardcore punk) music's tedious as well.

Heartless Bastards
A band, playing music competently. Nothing particularly of note.

Avett Brothers
Lots of energy, rather samey in song structure/sound/subject. Points for working hard to engage the audience.

The Decemberists
This was the debut of their new album, The Hazards of Love, played in its entirety, as it will be on their upcoming tour. I was tired and that may have affected my reception, but aside from about four songs, I found the material to be mediocre. The typical Decemberists elements were all there (with again more classic rock influence as on The Crane Wife), the songs just weren't all that interesting. Though the album lists 17 tracks, several musical themes repeat so that it's largely just more verses of the same song. I'm not one to listen attentively to lyrics of new songs, so I have no opinion of the storyline.

It was great to have guest vocalists Becky Stark and Shara Worden reprising their roles on the album as well as adding some instrumentation. That was the best thing about the show, the varied instrumentation and particularly the pounding version of "The Rake's Song" where five people banged away on drums. Maybe it will take a few listens to the record to engage properly with the material.

They encored with "The Raincoat Song" (just Colin and John singing) and "I Was Meant for the Stage".

It happened many times

Every time I saw an obese person smoking today I thought, "See you soon," as in "at the hospital for your coronary bypass." Well, better me than a mortician.

Wednesday, March 18, 2009

SXSW Film 2009: Trust Us, This Is All Made Up; Passing Strange



Trust Us, This Is All Made Up

David Pasquesi and TJ Jagodowski are masters of improvisational theater. For years now, they've been creating a long form improv show from nothing. No audience suggestions, no props. They just look at each other and start talking. Trust Us is a record of one performance bookended with Paquesi and Jagodowski in the hours before and immediately after a show. While the improv itself, blossoming to seven distinct characters, is impressive and very funny, the framing sequences are revelatory. To these guys, they're merely walking into a story that is already in progress and will continue after their gone. Their job is to play it out for the hour they are in front of the audience.

The day before this screening, I saw Paquesi and Jagodowski perform live at an Austin improv theater. While I would subjectively call the live show better, this is merely because of the particular subjects covered. The film is it's own entity and can be appreciated by improv newbies and veterans alike. The Q&A afterwards revealed that if they film ends up on DVD, a whole second performance will be included. So distributors hop to it!



Passing Strange

I've struggled with how to organize my thoughts about this film. It's great, just hard to put into words. So I revisted the notices from Sundance that spurred me to see it and realized that the AV Club's Rabin and Murray said it all much better than I could.

Director Spike Lee was at the (poorly attended, see Murray's fears on that one) screening and talked a bit about how he became involved. He was a fan of the off-Broadway (then Broadway) run of the show, seeing it many times. When the show's attendance started to decline and it was clear it was close soon, Lee stepped in to document it so it wouldn't be "lost". Hooray for him because Passing Strange is an amazing, deeply personal piece of theater and deserves a wider audience. Transcendent is the perfect descriptor here. I'm very glad that I got to see it on a big screen at the Paramount.

Tuesday, March 17, 2009

Todd Haynes is Not Not There, er Here. At SXSW.

I just chatted with Todd Haynes (director of I'm Not There, Far From Heaven). I try to avoid "you're so great, I love you" pawing in these situations so I tend to try for a topic of mutual interest. Knowing the copyright issues associated with his first film, I suggested that he consider Creative Commons licenses for some of his older films, Superstar: The Karen Carpenter Story at least. He hadn't heard of CC so I did a 30-second pitch and managed to intrigue him. So hooray for that.

Friends might remember that I promoted Creative Commons a few years ago by doing this to my head. And I ran into Ryan Junell, the designer of the CC logo (and a fellow DJ from our days at KVRX radio) a couple days ago. Synchronicity!